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Success Stories

March 12, 2020: Kathryn Dahlstrom hired by Producer

ScreenwritingU Alum Kathryn Dahlstrom (ProSeries 19) was hired by Producer Mark Cramer to rewrite the script for the family comedy Magic Max. Mark Cramer was approached by Producer Gabrielle Evans Fields and Director James D. Fields of Silver Lining Pictures to rewrite their script. Mark immediately looked to Kathryn Dahlstrom for her expertise in developing

Nov 26, 2019: Orlanda Szabo Has Sci-Fi Script Optioned!

ScreenwritingU Alum Orlanda Szabo (ProSeries 19) has optioned her sci-fi screenplay DRY STORM to Producer Vassilis Kontodimas of Venturous Innovation Pictures, Inc. The project is currently in development. Also attached to the project is Director Brett Varvel and DP Raf Claes. Congratulations, Orlanda!

Nov. 4, 2019: Reginald Joseph Has Screenplay Optioned!

ScreenwritingU Alum Reginald Joseph (ProSeries 68, MSC 12) had his screenplay INNER CITY DREAMS, an inspirational drama, optioned by producer Joshua T. Berglan. Reginald pitched his screenplay during the Master Screenwriter Certificate Program and it was optioned shortly afterwards. The project is currently in development. Great Job, Reginald!

Oct. 15, 2019: Lisa Marie Sandoval Hired to Rewrite Sci-Fi Trilogy

ScreenwritingU Alum Lisa Marie Sandoval (ProSeries 45, MSC 4) was hired by Mark Maine of Angelic Pictures to rewrite the feature SPACE SAMURAI: OASIS. SPACE SAMURAI: OASIS is the first of the female-hero, sci-fi trilogy franchise story written by Mark Maine, original screenplay by Mark Maine and Mike Terrell. Lisa has also been tapped to

Sept. 3, 2019: Margaret Riseley Lands Writing Assignment!

ScreenwritingU Alum Margaret Riseley (ProSeries 21, MSC 4) has been hired by Producer Mark Castaldo of Destiny Pictures to rewrite a screenplay based on the book "Chasing Victory" by Joshua Shifrin. The project is currently in development. "Already familiar with Margaret's screenwriting and professional work ethic, I knew after introducing her to the book and

August 29, 2019: Sharon Axcell Has Screenplay Optioned!

ScreenwritingU Alum Sharon Axcell’s (ProSeries 64, MSC 10) biographical screenplay based on the book 'George and Me' by Angie Best, the ex-wife of the famous Irish footballer George Best, has been optioned by producer Paul Ruffman. Sharon connected with the producer during the Master Screenwriter Certificate Program. After pitching her own project to Paul he

August 14, 2019: Robert Gemmill Scores TV Series Deal!

ScreenwritingU Alum, Robert Gemmill (ProSeries 42, MSC 2, BW 4) has entered into a joint venture agreement with producer Ken Gord to produce the TV series he wrote. Canadian based producer Ken Gord has produced over twenty mini-series and television movies for CBS, Fox, UPN, Global Television Network, CTV, Lifetime and Paramount Television. Robert wrote

August 6, 2019 : Jason Lauer Has TV Pilot Optioned!

ScreenwritingU Alum Jason Lauer (ProSeries 58, MSC 8, BW TV 4) optioned his Spy/Thriller TV pilot to producer James Quince. He created the pitch bible, wrote the pilot, and marketed it to producers during ScreenwritingU’s six month program: Binge Worthy TV™ Bootcamp. Well done, Jason!

Screenwriting Magazine News

The Eyes of Tammy Faye Screenwriter on Writing in a No-Judgement Zone

If you lived through the 80s, you no doubt remember the larger-than-life televangelist power couple Jim and Tammy Faye Bakker. Love ‘em or hate ‘em, they were a force of nature. Tammy […]
Jungle Cruise Writers Take Inspiration from WWI, Suffragettes and Old-Fashioned Romance

Jungle Cruise is a delightful thrill ride down the Amazon River and stars Emily Blunt as researcher Dr. Lily Houghton who’s on a quest to find the fabled Tears of the Moon – a […]
Black Widow Writer on Making the Story an ‘Emotional investigation of Natasha Romanoff.’

There are NO spoilers here for Black Widow, but if you haven’t seen Avengers: Endgame, you’ll want to see it before reading this interview. Remember summer blockbusters? After nearly a […]
Three Old-School Ways to Write Better Dialogue

Non-writers often say to me: dialogue should be easy. We all talk, right? What’s so difficult about writing it down? Those of us who have actually tried to craft a scene know better. As noted […]

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